Roland Topor (from wikipedia) (7 January 1938 – 16 April 1997) was a French illustrator, cartoonist, comics artist, painter, novelist, playwright, film and TV writer, filmmaker and actor, known for the surreal nature of his work. He was of Polish-Jewish origin and spent the early years of his life in Savoy where his family hid him from the Nazi peril.
Roland Topor wrote the novel The Tenant (Le Locataire chimérique, 1964), which was adapted to film by Roman Polanski in 1976. The Tenant is the story of a Parisian of Polish descent, a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves. The later novel Joko's Anniversary (1969), another fable about loss of identity, is a vicious satire on social conformity.
In 1965 David De Silva (Becca Productions Ltd) bought the film rights to The Tenant for $15,000 and sent the novel to Roman Polanski in the hope that he would consider directing it. De Silva made the mistake of phoning Polanski from New York around 7PM which would be just about midnight London time. He received Polanski's response to the project in a letter dated 4 May 1966.
Subsequently, De Silva sold the rights to Universal Pictures because Edward Albee wanted to adapt it as his first screenplay under a three-picture deal with Universal but the deal never materialized. Polanski adapted the film 10 years later in 1976. De Silva believes Polanski never read the novel 10 years before. He says, "When the timing is right the timing is right.".
A new presentation of The Tenant by Roland Topor was released in October 2006. The book has Topor's original novel, a new introduction by Thomas Ligotti, a selection of short stories by Topor, a representation of Topor's artwork and an essay on the famous Roman Polanski film version. There is a working possibility of having Mr. Polanski write a new foreword to this edition.
Thomas Ligotti's introduction clocks in at 3500 words and concerns the affirmative themes of world-renowned authors, focusing on Luigi Pirandello, with the negationist themes of Roland Topor's The Tenant.